Presented by Photoville
A visual story about why the Afro-Colombian community of Quinamayó celebrates Christmas in February, expressing resistance through culture since their ancestors were enslaved people.
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This work seeks to preserve the legacies and share the testimonies of Korean “comfort women,” a euphemism for women (mostly teenagers at the time) who were forced into sexual slavery by the Japanese Imperial Army during World War II.
Learn MoreMonuments examine passive relics of America’s racist past in the Confederacy, the dynamic changing of these landscapes, and who will be honored now.
Learn MoreThe exhibition, on view in the Winter Garden Gallery at Brookfield Place from September 20 – November 15, features portraits by Daniella Zalcman that show Native American, Alaska Native, and Native Hawaiian survivors of the US government’s Indian Boarding School system and parallel American institutions.
Learn MoreScars of Racism seeks to document the lasting physical reminders of racism on the American landscape.
Un/Settled is a project that explores white South Africans’ histories, privileges, and reflections on identity.
“In These Clasped Hands” started as a series of portraits of my family members in South Carolina. However, after the Mother Emanuel AME Church massacre, the effects of loss could be felt throughout the state.
Learn MoreIn 2000, Lynn Johnson began documenting the places where extreme acts of violence took place in the United States for her Master’s degree thesis at the School of Visual Communication at Ohio University.
Learn MoreJoin National Geographic photographers Philip Cheung, Kris Graves, and Daniella Zalcman in conversation with National Geographic Executive Editor Debra Adams Simmons, as they discuss their ongoing projects visualizing racist and discriminatory histories through a new lens.
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