Sep
212013
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Following an exploratory trip to Chernobyl in 2005, Donald Weber soon returned to the abandoned site of the nuclear disaster and spent the next six years in Russia and Ukraine photographing the ruins of the unstoppable storm we call history. Traveling and living with ordinary people who had survived much, had survived everything, Weber began to see the modern State as a primitive and bloody sacrificial rite of unnamed Power.
Presenters: Donald Weber
Location: Brooklyn Bridge Park – Pier 5 Uplands
Presented by:
Following an exploratory trip to Chernobyl in 2005, Donald Weber soon returned to the abandoned site of the nuclear disaster and spent the next six years in Russia and Ukraine photographing the ruins of the unstoppable storm we call history. Traveling and living with ordinary people who had survived much, had survived everything, Weber began to see the modern State as a primitive and bloody sacrificial rite of unnamed Power.
Interrogations is the result of his personal quest to uncover the hidden meaning of the bloody 20th Century. Weber insistently and provocatively addresses his questions both to the living survivors and to the ghosts of the State’s innumerable victims, resurrecting their final hours by taking their point of view, and performing a kind of incantatory meditation over their private encounters with Power.
The policemen, working girls, thugs, dissidents and hustlers who inhabit this story are all orphans of a secret History; the outlines of our collective fate takes shape in Weber’s epic work, expanding our awareness of what it means to be an actor in today’s dark opera.
Prior to pursuing photography, Donald Weber trained as an architect and worked with Rem Koolhaas’ Office for Metropolitan Architecture. He is the recipient of a Guggenheim Fellowship (2007), the Dorthea Lange-Paul Taylor Prize (2006) , the Duke and Duchess of York Prize in Photography (2009), and first prize, portrait stories, at the World Press Photo contest (2012).
Weber is the author of Bastard Eden, Our Chernobyl, on daily life in a post-atomic world, and Interrogations, which examines authority and power in Russia and Ukraine. His work has appeared in the Guardian, Newsweek, the New York Times Magazine, Stern, and Time, and he has had solo exhibitions at the United Nations, the Portland Museum of Art, and the Alice Austen House (New York). He is a member of the VII Photo Agency. Weber’s photographs from Interrogations are currently showing in Open Society Foundations’ Moving Walls 20 exhibition.
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