Photoville

Sep 262021
 archive : 2021

Unmasking Modern Masculinity With Vanessa Charlot

Vanessa Charlot

Vanessa Charlot

Challenge the ideas and frequency of notions surrounding black masculinity in an intimate visual series by award-winning photojournalist and documentary photographer, Vanessa Charlot.

Presenters: Vanessa Charlot

Moderators: Polly Irungu

Location: Online

Presented by:

  • Leica Camera

Challenge the ideas and frequency of notions surrounding black masculinity in an intimate visual series by award-winning photojournalist and documentary photographer, Vanessa Charlot. Void of distractions and colors, Vanessa reveals the soft, delicate, and vulnerable side of the male body and form in a portrait series that encapsulates the raw beauty and emotion of humanity.

The program is moderated by multimedia journalist and founder of Black Women Photographers, Polly Irungu.

The link to access the program will be sent 1-2 days prior to the start of the program via e-mail through Eventbrite.

Presenter Bios

  • Vanessa Charlot

    Vanessa Charlot

    Vanessa Charlot is an award-winning documentary photographer, filmmaker, lecturer, and curator. Her work focuses on the intersectionality of race, spirituality, economics, and sexual/gender expression. She shoots primarily in black and white to disrupt compositional hierarchy and explore the immutability of the collective human experience. The purpose of her work is to produce visual representations free of an oppressive gaze. Vanessa seeks to humanize Black bodies through her photography, restoring the dignity and vitality of those often shot as subjects divorced from context, motives, and histories. Her work invites us all to question our relationship to what we think about when we see Black bodies as static images and in motion.

    She has worked throughout the U.S., Caribbean and Southeast Asia. Her photographs have been commissioned by The New York Times, Gucci, VogueRolling Stone, The New Yorker, Oprah Magazine, The Atlantic, The Guardian, Apple, New York MagazineBuzzfeed, Artnet News, The Washington Post, and other national and international publications. She lectures at the International Center of Photography.

Moderator Bios

  • Polly Irungu

    Polly Irungu

    Polly Irungu is a Kenyan-born, Washington, D.C.–based photographer, photo editor, and community builder who deeply believes in the power of visual storytelling to create access, equity, and change. Driven by curiosity, care, and a strong sense of responsibility, Polly is especially committed to uplifting Black and African women creatives whose stories have historically been overlooked. She previously served as a White House photographer and photo editor, and she cares deeply about representation, fairness, and building systems that allow talented people not just to be seen, but to thrive. Through her work as a photographer and as the founder of Black Women Photographers, Polly is most energized when she’s connecting people, opening doors, and helping creatives gain the confidence, resources, and opportunities they deserve. Passionate about mentorship, collaboration, and community-building, she values both the craft of photography and the business behind it—believing sustainable careers are just as important as powerful images. Whether documenting history, leading conversations about equity in the creative industry, or supporting emerging photographers, Polly approaches everything with intention, generosity, and a belief in collective success.

Organizations

  • Leica Camera

    Leica Camera

    For 50 years, Leica Galleries across the globe have existed as more than mere exhibition spaces. They are places for imagination, dialogue, and connection. Since the first Leica Gallery opened in Wetzlar in 1976, a global network of Leica Galleries has grown across continents. These galleries are united by the belief that images have the power to move people and change perspectives. The Leica Galleries celebrate the art of seeing and the power of photography. They have been bringing cultures, generations, and stories together, spanning borders, for half a century—reinforcing the idea that true photography is timeless and that seeing is still a universal language.

     

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