A Family in Transition is a photographic essay documenting the lives of Tanner, a transgender male, and his partner David, as they grapple with Tanner’s unexpected pregnancy, the birth of their daughter Paetyn, and their life together as new parents.

This ongoing project explores the representation of women and African spirituality: as guardians of ancestral African practices, as a method of cultural preservation, and to challenge the cultural resistance of the diaspora in the Ecuadorian territory.

Get It and Come Back is an ongoing series of expanding representations of the Caribbean-American experience. Kierra Branker creates images that parallel her shared experience of heritage in a distant homeland.

Kibera Stories shares the realities of life inside Africa’s largest slum and its people, its talent, and its potential, while providing insight and raising awareness about life inside the slum.

La Última, The Last One, shows trans women preparing to seek asylum with dignity in the U.S., while waiting in unsafe conditions in a shelter in Tijuana.

The exhibit is focused on dismantling stereotypical Native American coverage in the mainstream media with diverse images that present a contemporary viewpoint of what Native America looks like in 2019.

Self Inverted tackles the personal tension commonly felt by gay Chinese individuals struggling with self-acceptance, and acceptance from their family and society.

The Cult of Souls is an ongoing long-term documentary photography project about rural celebrations, and the range of activities offered to visitors. The work is a visual narration of the events that are simultaneously mundane and extraordinary.

Un/Settled is a project that explores white South Africans’ histories, privileges, and reflections on identity.