This project focusses on food security in Northern Canada, and the challenges in accessing nutritious, affordable food.
Learn MoreIn this Pulitzer Center-supported photo story, Judith Surber gives a firsthand account of how the opioid epidemic has devastated her family and community on the Hoopa Valley Indian Reservation, photographed by Justin Maxon.
Learn MorePresented by Photoville
A visual story about why the Afro-Colombian community of Quinamayó celebrates Christmas in February, expressing resistance through culture since their ancestors were enslaved people.
Learn MoreMonuments examine passive relics of America’s racist past in the Confederacy, the dynamic changing of these landscapes, and who will be honored now.
Learn MoreThe Museum of the Old Colony is a conceptual art installation that examines the fraught relationship between the U.S., and its modern-day colony Puerto Rico, through the use of appropriated historical imagery and objects.
Un/Settled is a project that explores white South Africans’ histories, privileges, and reflections on identity.
In presentations of historical photographs from Africa, Uganda was—until recently—only mentioned in relation to photographs produced by non-Ugandans or members of the Ugandan diaspora. The first three books in the Ebifananyi series change this status quo by presenting photographs produced by Deo Kyakulagira (1940-2000), Musa Katuramu (1916-1983) and Elly Rwakoma (ca.1938).
Learn MoreWadi El Qamar, also known as Moon Valley, is a residential area located in the west of Alexandria, Egypt, next to the Portland Cement Factory. Just ten meters away from the residential area, the factory processes coal and garbage. It layers the homes of more than 30,000 people with toxic dust, causing tremendous health problems to those that live there.
Learn MoreRamrakha’s iconic images defied stereotype, censorship and editorial demand, capturing key moments from segregated colonial oppression in his home in Kenya, and tying those to moments of black struggle and surprising solidarities in the US in the 1960s.
Learn MoreJoin National Geographic photographers Philip Cheung, Kris Graves, and Daniella Zalcman in conversation with National Geographic Executive Editor Debra Adams Simmons, as they discuss their ongoing projects visualizing racist and discriminatory histories through a new lens.
Learn MoreWhat does responsible ownership and exploration of whiteness look like?
Learn MoreParticipants will be guided through a series of conversations and hands-on activities that begin to unpack the ways in which our whiteness and privilege function in the world, and in our practice as media-makers.
Learn MoreJoin us for an artist talk with Wendy Red Star as she discusses her 2017 project Um-basax-bilua (Where They Make the Noise) 1904–2016, a celebration of cultural perseverance, colonial resistance, and ingenuity.
Learn MoreJoin us for a conversation looking back at the origins of photography–how it has been used as a tool of colonialism, and how this legacy still appears today, both culturally and institutionally.
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