Presented by The Division of Continuing Education at the School of Visual Arts
SVACE is pleased to present Throned, a solo exhibition by SVACE and SVA MFA Photography and Related Media alumna Tiffany Smith, featuring a selection of photographs taken from the artist’s ongoing series which showcases a variety of portraits portraying community members.
Learn MorePresented by Caribbean Equality Project and Queens Museum
Live Pridefully: Love and Resilience within Pandemics is an interdisciplinary exhibition presented by the Caribbean Equality Project. The exhibition celebrates queer and trans Caribbean resilience through a racial justice lens, while fostering critical conversations related to pride, migration, surviving colliding pandemics, and coming out narratives.
Learn MoreLakou NOU features collaborative community-based art projects that explore what it means to be Haitian American—to belong to two cultures, two worlds—and to be Black in America while also staying true to your heritage.
Learn MoreMonuments examine passive relics of America’s racist past in the Confederacy, the dynamic changing of these landscapes, and who will be honored now.
Learn MorePortraits of traditional peoples of the Amazon, and their sacred territories.
Featuring photographer Mohammed Q. Amin discussing his exhibition Live Pridefully: Love and Resilience Within Pandemics
Learn MoreFeaturing photographer Tiffany Smith discussing his exhibition Throned
Learn MoreJoin National Geographic photographers Philip Cheung, Kris Graves, and Daniella Zalcman in conversation with National Geographic Executive Editor Debra Adams Simmons, as they discuss their ongoing projects visualizing racist and discriminatory histories through a new lens.
Learn MoreA panel discussion from the founding members of RECLAIM: an alliance of The Everyday Projects, Native Agency, Majority World, Women Photograph, Minority Report [renamed from Visioning Project], and Diversify Photo. We are six organizations committed to amplifying the voices of underrepresented photographers and decolonizing the photojournalism industry.
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