Jamel Shabazz

Jamel Shabazz was born and raised in Brooklyn, New York. At 15, he picked up his first camera and started to document his peers. In 1980, he embarked on a mission to extensively document New York City, from youth culture to a wide range of social conditions.

Shabazz says his goal is to contribute to the preservation of world history and culture. He has worked with a wide range of organizations centered on inspiring young people in the field of photography and social responsibility. He has been a teaching artist with the Rush Philanthropic Arts Foundation, the Bronx Museum’s Teen Council youth program, the International Center of Photography, Friends of the Island Academy, and the Studio Museum in Harlem’s Expanding the Walls Project.

Shabazz is the author of 5 monographs. He is presently working on a new book, The Book of Life.

Joseph Rodriguez

Joseph Rodriguez was born and raised in Brooklyn, New York. He began studying photography at the School of Visual Arts and went on to receive an AAS from New York City Technical College. He worked in the graphic arts industry before deciding to pursue photography further. In 1985, he graduated with a degree in photojournalism and documentary from the International Center of Photography in New York. He went on to work for Black Star photo agency, and print and online news organizations like National Geographic, the New York Times Magazine, Mother Jones, Newsweek, New York Magazine, Esquire, Stern, BBC News and New America Media, as well as advertising campaigns for Levi’s, AIG, and Ikea.

He has received awards and grants from the New York Foundation for the Arts Artist Fellowship, USC Annenberg Institute for Justice and Journalism, the Open Society Institute Justice Media Fellowship and Katrina Media Fellowship, National Endowment for the Arts, the Rockefeller Foundation, Mother Jones International Fund for Documentary Photography, the Alicia Patterson Fellowship Fund for Investigative Journalism and the Konstnarsnamden Stipendium. He has been awarded Pictures of the Year by the National Press Photographers Association and the University of Missouri in 1990, 1992, 1996, and 2002. He is the author of Spanish Harlem, part of the American Scene series, by the National Museum of American Art/D.A.P., as well as “East Side Stories: Gang Life in East Los Angeles,” “Juvenile,” “Flesh Life: Sex in Mexico City,” “Still Here: Stories After Katrina,” and “Spanish Harlem: El Barrio in the ’80s” (Powerhouse Books).

Recent exhibitions include Aperture Gallery, Galerie Bene Taschen in Cologne, Germany, Reva and David Logan Gallery for Documentary Photography at the Graduate School of Journalism in Berkeley, California, the Bronx Documentary Center in New York, NY, Gulf & Western Gallery in New York, NY, Hardhitta Gallery in Cologne, Germany, Irene Carlson Gallery of Photography at the University of La Verne, California, Third Floor Gallery in Cardiff, Wales, U.K., Institute for Public Knowledge in New York, NY, Moving Walls at the Open Society Institute in New York, NY, and Cultural Memory Matters at 601 Art Space in New York, NY.

He has been a visiting artist at Stanford University, the Institute for Diversity in the Arts, California, the University of La Verne, California, Columbia University’s School of Journalism, New York, the University of Texas, Austin’s School of Journalism, Ringling School of Art and Design, Florida, the University of Helsinki, Finland, Aarhus University, Denmark, Royal University of Fine Arts’ School of Architecture, Sweden, Loyola Marymount University, California, Hostos Community College, New York, and the CUNY Graduate School of Journalism, New York. He has taught at New York University Tisch School of the Arts and the International Center of Photography.

Khary Mason

Khary Mason was born and raised in Detroit, Michigan. He is a former Detroit Police homicide detective. In 2020 Khary retired after serving 22 years. Looking back on his experiences, Khary often remarks on how altitude and the passage of time have given him a greater understanding of the world he seeks to change.

When Khary’s wife gave him his first camera in 2002, many years would pass before Khary realized that his emerging art practice was beginning to lay the foundation in examining the visual and written language of self defense through the art of storytelling. By studying his own lived experience, Khary was able to identify a causal link between stories being created/told by the individuals depicted in them, and their ability to inform the storyteller’s, and audience’s, belief in what is possible.

Khary, and Romain Blanquart launched Capturing Belief (CB) in 2016, a Detroit-based non profit that uses visual literacy and creative writing as instruments allowing students to better understand themselves and the world around them. In 2020 CB partnered with Inside Southwest Detroit to create “The Remote Ally Project”, an international initiative that allowed art lovers to experience the pandemic through the eyes of young people around the globe.

Khary is a Documenting Detroit Fellow (2019), studying the effects of incarceration on individuals and their families, as well as a Salzburg Global Fellow (2021), working with peers around the world on international issues of youth violence, safety, and justice. In 2022, Khary became a member of the faculty at The Kalish picture editing workshop held at Rochester Institute of Technology.

“No one should be able to tell your story better than you” KM

Photoville

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