Tara Pixley is a queer Jamaican-American photojournalist and assistant professor of journalism at Temple University. Her photography, which reimagines race, gender, and LGBTQ+ and immigrant communities through a liberation lens, has appeared in The New York Times, Wall Street Journal, NPR, Newsweek, Allure, HuffPost, ProPublica, Nieman Reports, and ESPN, among many others.
She is a 2022 Reynolds Journalism Fellow, a 2021 IWMF NextGen fellow, a 2020 World Press Photo Solutions Visual Journalism Initiative awardee, and a visiting 2016 Knight fellow at Harvard University’s Nieman Foundation for Journalism.
Pixley is the secretary of the National Press Photographers Association (NPPA) Board and the executive director of Authority Collective, an organization dedicated to establishing equity in visual media.
The Authority Collective presents queer artists of color who are re-visioning the lexicon that imagines the queer form, framing it as beautiful, strong, complex, and multi-faceted.
Authority Collective presents queer artists of color who are re-visioning the lexicon that imagines the queer form: framing it as beautiful, strong, complex and multi-faceted.
Learn MoreIt’s the big open secret of the photography community: everyone does side work. Come and hear how different rockstar photographers subsidize and develop their careers with work that’s not just editorial photography.
Learn MoreBlack female photographers bring a unique visual perspective to major news events. In this talk, Tara and Michael will take a close, fascinating and informative look at key images from 2020’s social justice protests.
Learn MoreJoin Tara Pixley, founding member of RECLAIM Photo and Authority Collective, for a guided tour of Photoville.
Learn MoreA panel discussion from the founding members of RECLAIM: an alliance of The Everyday Projects, Native Agency, Majority World, Women Photograph, Minority Report [renamed from Visioning Project], and Diversify Photo. We are six organizations committed to amplifying the voices of underrepresented photographers and decolonizing the photojournalism industry.
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