Brought from Home is a two-part photo-documentary project on immigration and the complexities and symbolism of never truly leaving home.
Learn MoreMigrant Herbalism is a project that examines the belief system of traditional Indigenous and Afro-descendant Latin American medicine and how their knowledge, healing practices, and rituals have migrated with forced displacement to the United States.
Learn MoreFollowing the journey of migrant workers from their homeland in Michoacán, Mexico, across the US-Mexico border, and throughout America, in search of work and a better life for their families.
Learn MorePresented by Photoville
Dreams on Hold is a collaborative project with families and kids living in a makeshift migrant camp at the Mexico-U.S. border who are hoping to cross into the U.S.
Learn MoreCheering on the Border is a story of the border not as a boundary, but as a region, and how life in that region is experienced by a specific group of high school cheerleaders.
La Última, The Last One, shows trans women preparing to seek asylum with dignity in the U.S., while waiting in unsafe conditions in a shelter in Tijuana.
Romans 13:10—originally featured in Las Cruces, New Mexico–is taken from Richard Misrach’s latest series Border Cantos, and includes eight suites of photographs from his ongoing series Desert Cantos.
The Place Where Clouds Are Formed combines poetry, critical text, and photography to investigate the intersection of religion and migration in the borderlands of Arizona and Sonora, the ancestral land of the Tohono O’odham.
CatchLight’s inaugural “Focal Points” exhibition features work from the 2017 CatchLight fellows, Tomas Van Houtryve, Sarah Blesener, and Brian L. Frank who were each paired with a media partner — the Pulitzer Center for Crisis Reporting, The Center for Investigative Reporting, and the Marshall Project, respectively.
Learn MoreLas Vegas, New Mexico is a place that is rooted in a complex linguistic and cultural history where the boundaries of identity are fluid and intricate, but it is also as American as any small town in the country.
Learn MoreAt the juncture of San Diego, California; and Tijuana, Mexico, the border wall’s rusting steel bars plunge into the sand, extending 300 feet into the Pacific Ocean, and casting a long and conflicting shadow.
Learn MoreWith this long term project I document cultural activities in what used to be some of the worlds most dangerous cities along the US/Mexican border. Since 2008 I photographed 180 artists along the entire 2000 miles long divide to show the vibrant cultural side of a region that is usually portrayed by the international media with the sole focus on violent crime.
Learn MoreThree ZEKE Award recipients will present their winning projects and discuss doing documentary work in different parts of the world.
Learn MoreA conversation about the attacks on press freedom in Mexico with Alexandra Ellerbeck, Committee to Protect Journalists’ (CPJ) North America program coordinator, Mexican photojournalist Emmanuel Guillen Lozano, and Ginger Thompson, senior reporter at ProPublica.
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