Old Fulton and Furman St
Brooklyn, NY 11201
Number 19 on the official photoville map
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Location open 24 hours.
This location is part of Brooklyn Bridge Park
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Presented by Photoville
Arder la casa explores the contingencies of political violence in Colombia through Beltran’s family history — marked by her father’s exile in 2015. Intertwining archives, photographs, and videos narrate political fights in a territory where Catholicism, santería, bullfighting, mafia culture and politics collide.
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A visual story about why the Afro-Colombian community of Quinamayó celebrates Christmas in February, expressing resistance through culture since their ancestors were enslaved people.
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Dreams on Hold is a collaborative project with families and kids living in a makeshift migrant camp at the Mexico-U.S. border who are hoping to cross into the U.S.
Learn MorePresented by The Everyday Projects and Photoville
A sampling of images from the 2021 winners and finalists of the inaugural Everyday Projects Grant, which focuses on early-career photographers working in their own communities.
Learn MorePresented by Leica Women Foto Project
Despite the dire situation in Lebanon, I found hope and inspiration in the young generation of women. I found myself in awe of them — their creativity, strength, beauty, and resilience. I felt a sense of urgency in collaborating with them to tell their story — our collective story.
Learn MorePresented by Office of the Special Representative of the Secretary-General for Children and Armed Conflict
Children are the most vulnerable during an armed conflict. The UN Children and Armed Conflict Mandate was created 25 years ago to better protect children from the ravages of war. This mandate is part of the driving force behind the exhibition From Despair to Hope: Children beyond Armed Conflict.
Learn MorePresented by Indigenous Photograph, Photoville, and Leica Camera
There is a word in Zapotec used to name someone or something disappearing — when a close friend is not close anymore, when someone stops visiting as often as they do, when things transform and change, or when someone is going blind. This word, kanitlow, means “faces are getting lost,” or “disappearing.”
Learn MorePresented by Women Photograph and Photoville
A retrospective of the work of 19 Women Photograph grantees from our first five years of supporting photographers in the continuation of their long-term projects.
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Presented by Adobe Photoshop Lightroom
Explore stunning and compelling visual stories — of healing, love, joy and humanity — as told by our Lightroom Ambassadors.
Learn MorePresented by Adobe Photoshop Lightroom
Explore stunning and compelling visual stories — from the transitional spaces we use, to the shifting aesthetics of China — as told by our Lightroom Ambassadors.
Learn MorePresented by The Division of Continuing Education at the School of Visual Arts
SVACE is pleased to present Throned, a solo exhibition by SVACE and SVA MFA Photography and Related Media alumna Tiffany Smith, featuring a selection of photographs taken from the artist’s ongoing series which showcases a variety of portraits portraying community members.
Learn MorePresented by Adobe Photoshop Lightroom
Explore stunning and compelling visual stories — from the transitional spaces we use, to the shifting aesthetics of China — as told by our Lightroom Ambassadors.
Learn MorePresented by Adobe Photoshop Lightroom
Explore stunning and compelling visual stories — of healing, love, joy and humanity — as told by our Lightroom Ambassadors.
Learn MoreDevin Allen asks us to see beyond the violence and poverty that all too often defines the “ghetto.”
Learn MoreEyewitness: Who Tells the Stories of Our Time? showcases the work of Eli Hiller, Sarahbeth Maney, and Joana Toro—recipients of the 2020 Eyewitness Photojournalism Grant, whose works center underreported stories across the United States.
Learn MorePat Kane’s project Here is Where We Shall Stay focuses on how Dene people in the Northwest Territories of Northern Canada are moving towards meaningful self-determination by resetting the past atrocities of settler colonization.
Learn MoreThrough the lens of local women photographers, we seek to elevate, amplify and increase the visibility of women’s participation in—and their essential contributions to—peace and security.
Learn MoreMichelle V. Agins has been a staff photographer for the New York Times for more than 30 years. This retrospective celebrates her work and her ongoing commitment to the photojournalism community.
Learn MoreRooted is a series of images that uses cyanotype imaging of protests layered with plant silhouettes as an exploration of Indigenous identity—bearing witness while documenting the historic year the communities in Minnesota experienced in 2020.
Learn MoreRuna Kawsay explores the nuances of Indigenous Kichwa identity from the personal experiences of the Kichwa community living in Turtle Island (North America).
Learn MoreWe wish to highlight the work of the New York City Department of Education arts educators. By exhibiting our student’s works, we hope to add to the conversation on education policy, and shout out that: ART EDUCATION IS A NECESSARY RIGHT FOR ALL STUDENTS!
In collaboration with TIME, photographer Haruka Sakaguchi documented the stories of ten New York-based Asian Americans, who share their experiences of racism during the pandemic, and how their perspectives have been shaped by recent Black Lives Matter protests.
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