Cinthya Santos Briones

Cinthya Santos Briones

Before becoming a documentary photographer and photojournalist, Cinthya Santos Briones studied anthropology and ethnohistory, which led her to work as a researcher at different institutions in Mexico, focused on the study of indigenous and rural communities. Her interest in documentary photography emerged through the ethnographic work she has done as an anthropologist in the indigenous communities of Mexico. She has documented ceremonial and healing rituals, immigration, and the new transnational lives of migrants in New York.

Since then, her work has been influenced by the struggle for human rights, focusing on issues of migration, gender, and identity. The complex relationship between homeland, immigration, memory, and self-representation has been at the center of her work.
Cinthya graduated from the Visual Journalism and Documentary Practice Program at the International Center of Photography in New York City.

In the autumn of 2016, she received a fellowship grant from the Magnum Foundation, and an En Foco photography fellowship in 2017. Cinthya has published her work in The New York TimesPDNLa JornadaThe California Sunday MagazineVOGUE, Open Society Foundations, BuzzFeedThe Nation Magazine, among others. She was twice a fellow of the State Fund for Culture and the Arts of México (FONCA).

In 2018, Cinthya became a grantee of the Magnum Foundation, and of National Geographic, with the project: Ethnographic Mosaic of Migrant Children Experiences in the Americas. Cinthya has worked in pro-immigrant organizations in New York as a community organizer, and as an adjunct faculty at the Craig Newmark Graduate School of Journalism at CUNY. She is co-author of the book The Indigenous Worldview and its Representations in Textiles of the Nahua community of Santa Ana Tzacuala, Hidalgo.

Archive Exhibitions Featuring Cinthya Santos Briones

Living in Sanctuary

Annenberg Space for Photography
 archive : Photoville LA

A long-term project documenting individuals living in sanctuary across the US––the last alternative for keeping families together while they fight for a suspension of deportation.

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Abuelas: Portraits of The Invisible Grandmothers

Brooklyn Bridge Park – Emily Warren Roebling Plaza
 archive : 2017

This project focuses on undocumented Mexican immigrant women who came to New York decades ago in search of opportunity for their families. Overtime, they built their lives here and have become elders of their communities: the abuelas.

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Archive Sessions and Events Featuring Cinthya Santos Briones

Sep 222019

Working Together

What does it mean to enter into collaboration in the photographic process? Join us to hear five women talk about their projects and practices that are rooted in working with others.

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This website was made possible thanks to the generous support and partnership of Photowings