mature man

Working Together

mature man

Working Together

Featuring: Cinthya Santos Briones, Jasmin Chang, Gabriella Demczuk, Hannah Price, and Karen Miranda Rivadeneira

Presented by

Women Photograph







Photoville Talks at St. Ann’s Warehouse are produced by United Photo Industries and supported in part by PhotoWings and the Phillip and Edith Leonian Foundation.

Sunday, September 22 | 12:30PM – 1:30PM
Location: St. Ann’s Warehouse


Cinthya Santos Briones, Jasmin Chang, Gabriella Demczuk, Hannah Price, and Karen Miranda Rivadeneira are five photographers who have often woven the vision and voices of others into their projects, by collaborating with those they photograph, working with archival materials, teaming up with other artists, and fundamentally engaging communities in telling their own stories.

Join us to learn more about how photographers can create collaboratively, and open up a solitary discipline to new ways of photographing.

RSVP to this talk on Facebook! All Photoville talks are free, first come, first served. Seating is limited and not guaranteed.


Before becoming a documentary photographer and photojournalist, Cinthya Santos Briones studied anthropology and ethnohistory, which led her to work as a researcher at different institutions in Mexico, focused on the study of indigenous and rural communities. Her interest in documentary photography emerged through the ethnographic work she has done as an anthropologist in the indigenous communities of Mexico. She has documented ceremonial and healing rituals, immigration, and the new transnational lives of migrants in New York.

Since then, her work has been influenced by the struggle for human rights, focusing on issues of migration, gender, and identity. The complex relationship between homeland, immigration, memory, and self-representation has been at the center of her work.
Cinthya graduated from the Visual Journalism and Documentary Practice Program at the International Center of Photography in New York City.

In the autumn of 2016, she received a fellowship grant from the Magnum Foundation, and an En Foco photography fellowship in 2017. Cinthya has published her work in The New York Times, PDN, La Jornada, The California Sunday Magazine, VOGUE, Open Society Foundations, BuzzFeed, The Nation Magazine, among others. She was twice a fellow of the State Fund for Culture and the Arts of México (FONCA).

In 2018, Cinthya became a grantee of the Magnum Foundation, and of National Geographic, with the project: Ethnographic Mosaic of Migrant Children Experiences in the Americas. Cinthya has worked in pro-immigrant organizations in New York as a community organizer, and as an adjunct faculty at the Craig Newmark Graduate School of Journalism at CUNY. She is co-author of the book The Indigenous Worldview and its Representations in Textiles of the Nahua community of Santa Ana Tzacuala, Hidalgo.

Jasmin Chang is Associate Director of Community & Education at United Photo Industries (UPI), where she produces teen and teacher programs, as well as The FENCE and other UPI projects. She is an artist and organizer who loves building projects that connect people through art and storytelling. She is co-founder of Community Heroes, a neighborhood-based public art project. She is currently working on the Winston-Salem Portrait Project, a photographic and sculptural portrayal of the community.



Gabriella Demczuk is a Lebanese-American photographer, printmaker, and journalist based between Washington, D.C., and Baltimore, Maryland. Born in Sweden but raised in Luxembourg, Belgium, and later the United States, she studied fine arts and journalism at George Washington University, and photography at Parsons School of Art and Design in Paris.

Gabriella has been recognized by the White House News Photographers Association, American Photography, as a Presidential Scholar in the Arts, POLITICO Playbook’s Power List, and by Pictures of the Year International (POYi). Gabriella was named a finalist for the Inge Morath award from the Magnum Foundation, she was selected as an Emerging Talent by Getty Images Reportage, and as one of PDN’s 30 Emerging Photographers of 2018. She was recently selected as the British Journal of Photography’s Ones to Watch for 2019.


Karen Miranda-Rivadeneira is an Ecuadorian-American photographer currently living between New Mexico and New York. She graduated from the School of Visual Arts in 2005. During that time, she focused on performance art, and trance states. In pursuit of these interests, she has collaborated with indigenous communities and members of her family to create photo-based projects.

From the Mam to the Mandaeans, she has spent more than a decade living between the Amazon, the Andean highlands, and New York City.
Karen has been exhibited widely, in places like the National Portrait Gallery at the Smithsonian Museum in Washington, D.C., and the Musée du Quai Branly biennial, where she received an artist-in-residence fellowship in 2017. She has had solo shows in New York City, and her book Other Stories/Historia Bravas was published in 2018 by Autograph ABP, about her collaborative photographic project with her family.


Raised in Fort Collins, Colorado, Hannah Price (b. 1986) is a photographic artist and filmmaker primarily interested in documenting relationships, race politics, and misperception. Price is internationally known for her project City of Brotherly Love (2009-2012), a series of photographs of the men who catcalled her on the streets of Philadelphia. In 2014, Price graduated from the Yale School of Art, Masters of Fine Arts in Photography program, receiving the Richard Benson Prize for excellence in photography. Over the past eight years, Price’s photos have been displayed in several cities across the United States, with a few residing in the permanent collection of the Philadelphia Museum of Art
Currently, Ms. Price lives and works in Philadelphia, Pennsylvania.


Women Photograph is a nonprofit working to elevate the voices of women and non-binary visual journalists. The private database includes more than 950 independent women photographers based in 100+ countries, and is available privately to any commissioning editor or organization.

Women Photograph also operates an annual series of project grants for emerging and established photojournalists, a year-long mentorship program, an annual workshop, and a travel fund to help female photographers access developmental opportunities.

Our mission is to shift the gender makeup of the photojournalism community, and to ensure that our industry’s chief storytellers are as diverse as the communities they hope to represent.

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