Inspired by artist Wendy Ewald’s American Alphabets series, students at Harvest Collegiate High School explored language, identity, and culture through cyanotype self-portraits connected to a specific word.
Learn MoreSpeaking Portraits elevate our experiences, reveal hidden truths, and inform the viewer about what is most meaningful to us.
Learn MoreIn this self-portrait series entitled syzygy, the vision, Flash is observing the straight-line configuration of our pasts, presents, and futures. This multi-dimensional contemplation considers vast dimensions of intersectional disadvantages, cultural conflicts, and unsettling legacies.
Learn MoreThe Bronx Documentary Center’s both senior and junior photo leagues were asked by the New York Times to make self-portraits; how they defined self-portrait was up to them. Their resulting images are an insight into who they are and what they’ve reflected on at home during the time of COVID-19.
Learn MoreIn early June, The New York Times asked more than two dozen Black photographers to create self-portraits, whatever that phrase meant to them. This collection of those photos presents an intimate perspective from artists who are motivated by their own reality.
Esta Soy Yo is a landmark retrospective of Las Fotos Project’s youth self-portraits created over the course of eight years, reflecting each girls’ individuality and photographic creativity.
Learn More“#selfie” examines how image sharing and the Internet have changed the role of photography in the digital age. The process of creating and disseminating imagery has fundamentally changed in the new context provided by digital photography, smartphones and more recently the ‘selfie’.
Learn More“Room” is a series of portraits, self-portraits and letters, exploring the passage from girlhood to womanhood.
Learn MoreIt’s fascinating to watch how people present themselves in the digital world of social media. I specifically find teenagers intriguing to observe.
Learn MoreUsing 19th century ethnographic photographs as a point of departure, “For Tropical Girls Who Have Considered Ethnogenesis When the Native Sun is Remote” presents fantastical self portraits that question identity constructs and the psychological implications of iconography.
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