Nacòx (Salmon) focuses on the Nez Perce Tribe, whose way of life is inseparable from the nearly eradicated salmon of the Snake River—underscoring their ongoing fight for their treaty rights and tribal sovereignty.
Learn MoreA photo essay about the Lenape people who are indigenous to the land New York City was built upon.
Learn MoreThe return of the National Bison Range to the Confederated Salish and Kootenai Tribes is a powerful example of landback in action, restoring Indigenous stewardship, cultural heritage, and ecological balance.
Learn MoreThis project focusses on food security in Northern Canada, and the challenges in accessing nutritious, affordable food.
Learn MoreRezMade is an exhibition of current work by student photographers from the all-Tribal Our Community Record Two Eagle River School, Confederated Salish & Kootenai Tribes, in collaboration with A VOICE-Art Vision & Outreach In Community Education
Learn MoreThis collection of images is a glimpse into Tekpatl’s relationship with traditional food systems and the natural world through his perspective and the teachings of others.
Learn MoreMINJIMENDAN (REMEMBER) honors the legacy of Nīa MacKnight’s great-grandfather John B. McGillis by examining the complexities that McGillis faced as an Anishinaabe man navigating early 20th-century assimilation policies, as well as his devotion to expanding access for his people through acts of self-determination and joy.
Learn MoreBolivia’s Lake Poopó is drying up, most of all impacting the Indigenous Uru community who have historically lived beside it.
Learn MoreThis collection of projects supported by the Pulitzer Center explores themes of cultural traditions and resistance, showcasing the resilience of communities around the world as they fight to preserve and revitalize traditions that sustain livelihoods and create hope for the next generation.
Learn MoreThis work focuses on the people of Sharon Chischilly’s home community, the Navajo Nation.
Learn MoreThis decade-long documentary photographic project follows the lives of Ngāi Tūhoe man John Teepa and his family as they live on traditional indigenous land in the remote mountains of Aotearoa New Zealand.
Learn MorePresented by The Bronx Women’s Photo Collective with Photoville and NYC Parks
The Bronx Women’s Photo Collective, a group of self-taught photographers, memorialize the story of their search for their Taíno roots through three original photography projects.
Learn MorePresented by Photoville and Time Square Arts, with additional support from the Phillip and Edith Leonian Foundation
Created by Matika Wilbur, Project 562 is a multi-year national photography project dedicated to photographing over 562 federally-recognized tribes in what is currently called the United States, resulting in an unprecedented repository of imagery and oral histories which accurately portrays contemporary Native Americans.
Learn MorePresented by The 400 Years Project and Photoville
Indigenous artists Dakota Mace and Tahila Mintz engage alternative photographic processes and use soil, plants, water, and sun directly in the image-making process to tell stories about the past, present, and future of the land — stories that connect them to their ancestors, and to themselves.
Learn MorePresented by Social Documentary Network, ZEKE Magazine
These documentary exhibits explore sustainable solutions to the climate crisis: the Indigenous People’s Burn Network in the western United States; Nemo’s Garden in Italy — the world’s first underwater greenhouse; the African Women Rising’s Permagarden Program in Uganda, and others.
Learn MorePresented by Indigenous Photograph, Photoville, and Leica Camera
There is a word in Zapotec used to name someone or something disappearing — when a close friend is not close anymore, when someone stops visiting as often as they do, when things transform and change, or when someone is going blind. This word, kanitlow, means “faces are getting lost,” or “disappearing.”
Learn MoreDialogue with Plants documents the Shipibo-Konibo Indigenous people’s use of traditional plant-based medicine, while revealing the threats to the knowledge and use of the diverse flora as elders and Indigenous leaders face the COVID-19 pandemic.
Learn MorePat Kane’s project Here is Where We Shall Stay focuses on how Dene people in the Northwest Territories of Northern Canada are moving towards meaningful self-determination by resetting the past atrocities of settler colonization.
Learn MoreRooted is a series of images that uses cyanotype imaging of protests layered with plant silhouettes as an exploration of Indigenous identity—bearing witness while documenting the historic year the communities in Minnesota experienced in 2020.
Learn MoreRuna Kawsay explores the nuances of Indigenous Kichwa identity from the personal experiences of the Kichwa community living in Turtle Island (North America).
Learn MoreThe exhibition, on view in the Winter Garden Gallery at Brookfield Place from September 20 – November 15, features portraits by Daniella Zalcman that show Native American, Alaska Native, and Native Hawaiian survivors of the US government’s Indian Boarding School system and parallel American institutions.
Learn MoreA visual record of found and personal photographs and cultural memorabilia, Wendy Red Star’s Um-basax-bilua (Where They Make the Noise) summarizes the century-long history of the Crow Fair, and examines the cultural shift from colonial forced assimilation to cultural reclamation.
In Venezuela, women in prison wait for years–under cramped and deplorable conditions–before moving on to trial to be judged. Will the women be able to return to society upon release? What do their conditions tell us about the state of Venezuelan society?
Portraits of traditional peoples of the Amazon, and their sacred territories.
The Standing Strong Project is an ongoing, multi-media, and community-based project that aims to uplift Indigenous peoples in reclaiming their narrative by creating a safe space to make their own image.
An exhibition of work from a collective of Indigenous photographers working across Turtle Island (North America).
The Place Where Clouds Are Formed combines poetry, critical text, and photography to investigate the intersection of religion and migration in the borderlands of Arizona and Sonora, the ancestral land of the Tohono O’odham.
The Cult of Souls is an ongoing long-term documentary photography project about rural celebrations, and the range of activities offered to visitors. The work is a visual narration of the events that are simultaneously mundane and extraordinary.
Stories for the Arctic Refuge explores the Arctic National Wildlife Refuge along with the hundreds of species that depend on it, as well as the Gwich’in and Iñupiat people who rely on it to live, and the big industries that threatens its existence.
The exhibit is focused on dismantling stereotypical Native American coverage in the mainstream media with diverse images that present a contemporary viewpoint of what Native America looks like in 2019.
“The Blood and the Rain” is a multimedia collaboration by photographer Yael Martínez and graphic artist Orlando Velázquez, who have been welcomed by the Nahua communities to observe their practices.
Learn MoreThe protest against plans to pass the Dakota Access pipeline underneath the Missouri River, just north of the Standing Rock Indian Reservation in North Dakota, was considered by many involved to be the time of that prophesy. Indigenous people from around the globe, but especially North America, “heard the call” and traveled to North Dakota to set up a resistance camp against the pipeline.
Learn MoreGenerations of Canada’s First Nations forgot who they were. Languages died out, sacred ceremonies were criminalized and suppressed. These double exposure portraits explore the trauma of some of the 80,000 living survivors who remain. Through extensive accompanying interviews, they address the impact of intergenerational trauma and lateral violence, documenting the slow path toward healing.
Learn MoreI travelled to many locations in the western United States to learn about the significance of the horse in Native American culture. The arrival of horse transformed the culture. They allowed tribes to hunt more buffalo than ever before. They tipped the balance of power in favor of mounted warriors and they became prized as wealth. For Native Americans today, horses endure as an emblem of tradition and a source of pride, pageantry, and healing.
In “Raskols: The Gangs of Papua New Guinea,” Australian photographer Stephen Dupont presents a series of portraits that explores the world of cults, custom and tribal culture in Papua New Guinea.
Learn MoreFeaturing photographer Luvia Lazo discussing her exhibition Kanitlow
Learn MoreJoin National Geographic photographers Philip Cheung, Kris Graves, and Daniella Zalcman in conversation with National Geographic Executive Editor Debra Adams Simmons, as they discuss their ongoing projects visualizing racist and discriminatory histories through a new lens.
Learn MorePut on your walking shoes and your mask, and join the Indigenous Photograph team on a curated tour of the Photoville Festival!
Learn MoreJoin award-winning photographer and film director, Deborah Anderson, as she brings to light the history and culture of the Lakota tribe with her latest body of work, “Women Of The White Buffalo”.
Learn MoreJoin us for an artist talk with Wendy Red Star as she discusses her 2017 project Um-basax-bilua (Where They Make the Noise) 1904–2016, a celebration of cultural perseverance, colonial resistance, and ingenuity.
Learn MorePulitzer Center grantees Pablo Albarenga and Ana Maria Arévalo Gosen, in conversation with Marina Walker Guevara, discuss their approaches to photographing marginalized communities.
Learn MoreFive photographers from the Natives Photograph community will discuss their work, the importance of representation in the industry, and their process as Indigenous visual storytellers.
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