Arder la casa, on political violence, family and exile

Presented by Photoville

Arder la casa explores the contingencies of political violence in Colombia through Beltran’s family history — marked by her father’s exile in 2015. Intertwining archives, photographs, and videos narrate political fights in a territory where Catholicism, santería, bullfighting, mafia culture and politics collide.

Dialogue With Plants

Dialogue with Plants documents the Shipibo-Konibo Indigenous people’s use of traditional plant-based medicine, while revealing the threats to the knowledge and use of the diverse flora as elders and Indigenous leaders face the COVID-19 pandemic.

Días Eternos: A Portrait of the Life of Female Prisoners in Venezuela

Seeds of Resistance

Caminantes: The Venezuelan Exodus

AYACUCHO

The word Ayacucho comes from Quechua AYA (dead, corpse) and CUCHO (corner), meaning “the corner of the dead”. The last two decades of the 20th century were one of the most tragic moments for the city of Ayacucho and the history of Peru.

Paraiso Perdido

“Paradise Lost” started in 2012 as a document of Venezuela’s collapse and the rise of violence. Venezuela is now one of the deadliest countries in the world. It is estimated that over 28,000 people were killed in Venezuela last year—that is, in a country roughly the size of Texas.

Unseen Venezuela

From the rise of Hugo Chávez’s socialist revolution to its collapse into the worst economic crisis in the history of Venezuela, photojournalist Meridith Kohut has chronicled the plight of Venezuelans for the past decade.

Brazil’s Battle Against Zika

Declared a public health emergency in February 2016 by the World Health Organization, Zika’s origins remain unclear, and without a vaccine or tangible control methods to prevent its spread, this resilient virus may not be eradicated any time soon.

Calle 4 Sur (South Street four)

“Calle 4 Sur (South Street Four)” focuses on the individuals impacted by the civil war conflict in Colombia.