The New New Yorkers

The journey of Yenis Andrade, a young migrant woman from Venezuela, the birth of her new baby girl, and their first steps of her and her family rebuilding their lives with New York as their new home.

Losing Self

Losing Self celebrates the work of seven Bob and Diane Fund grantees telling poignant and personal stories about Alzheimer’s disease, dementia and the devastation it causes families, caregivers and those suffering from its tragic effects.

Citizen Power: Youth Perspectives on Care & Citizenship

Working Assumptions is proud to partner with Citizen Film on American Creed: Citizen Power, a documentary initiative exploring American idealism and community leadership from a range of young adult perspectives. A selection of cast members are using our wrkxfmly assignment to tell visual stories about how they care for friends, families, home, communities, the land, and democracy itself.

Overpolicing Parents

Each year, child protective services agencies inspect the homes of roughly 3.5 million children without a warrant. Only about 5% of these kids are ultimately found to have been physically or sexually abused.

Ruatoki

This decade-long documentary photographic project follows the lives of Ngāi Tūhoe man John Teepa and his family as they live on traditional indigenous land in the remote mountains of Aotearoa New Zealand.

Hard Times are Fighting Times

Presented by Photoville

This project describes the legacy of my parents’ participation in radical leftist groups which sought to overthrow imperialism and capitalism through organizing and revolution.

Teaching Creativity: Making Art In A Pandemic

Teachers at two New York City public high schools share work made by their students during the pandemic. Students turned their lenses inward and made work exploring domestic life—sharing their photography with family and friends during this challenging school year.

Ten Years Of War Through The Eyes Of 16 Syrian Photographers

The UN Office for the Coordination of Humanitarian Affairs (OCHA) coordinates the global emergency response to save lives and protect people in humanitarian crises.

Living Lullabies

Living Lullabies illuminates critical concerns for women and children around the world by drawing on the storytelling from families’ nighttime rituals. It explores how caregivers prepare children for sleep in environments fraught with hazard, and highlights the unique role the lullaby plays in placemaking.

The Journal: Women Photographers Respond to COVID-19

Um-basax-bilua (Where They Make the Noise) 1904–2016, 2017

I Am Because We Are

Liam’s World

Portrait of Grief

Single Moms by Choice

ABC(orona)

A Family in Transition

OYAKO (Japanese parents & children)

Sensation Photography: Between or Border

Koreans who live in other countries range from first-generation immigrants who left their homeland a long time ago to third- or fourth-generation Koreans who may have seen Korea only on a map.

The Meaning of Now: Living Life with Cancer

This is a story about two people who have chosen to see their cancer diagnosis as a gift. Despite the physical and mental battle of coping with treatment and the side effects of chemo, Shirley and Tato have decided to use this time to ‘live’ with cancer instead of ‘dying’ from it.

The Wall

At the juncture of San Diego, California; and Tijuana, Mexico, the border wall’s rusting steel bars plunge into the sand, extending 300 feet into the Pacific Ocean, and casting a long and conflicting shadow.

Voyage à Dakar

In “Voyage à Dakar” Dutch photographer Judith Quax and her Dutch-Senegalese son, Noah, travel over land in the opposite direction of the migratory flow from Amsterdam to Dakar in Senegal: the land of Noah’s father and his Senegalese family.

In These Clasped Hands

“In These Clasped Hands” started as a series of portraits of my family members in South Carolina. However, after the Mother Emanuel AME Church massacre, the effects of loss could be felt throughout the state.

Ke Lefa Laka

Eight years ago, I lost my mother and I needed to explore the possibility of keeping a connection with her. In my journey, I began looking for pieces of my mother in the house, I found many photos and clothes, which had always been there, but which I had ignored over the years. There she was, smiling and posing in these clothes.

Letters from my Exile

“Letters from My Exile” is a participatory art project that pairs portraits and letters that tell the story of people who have endured tremendous sacrifice in their quest for a better life.

love, loss, and longing

A large number of arrests have taken place in Egypt since the revolution of January 25, 2011, many of them unfounded. With many lovers left behind, inspiring stories of love, loss, and longing are being told by heartbroken women.

N.O.K: Next Of Kin

“N.O.K.: Next of Kin” documents how Gold Star Families cope with loss and memory through their handling of their loved ones killed in action in wars spanning from World War II to The Vietnam War and the ongoing conflicts in Afghanistan and Iraq.

The Family Imprint

“The Family Imprint” is an intimate story of my family, as my parents underwent parallel treatments for stage-four cancer.

Abuelas: Portraits of The Invisible Grandmothers

This project focuses on undocumented Mexican immigrant women who came to New York decades ago in search of opportunity for their families. Overtime, they built their lives here and have become elders of their communities: the abuelas.

And Now We Have Entered Broken Earth

Jason & Rachel

This is the story of a young veteran who was disabled by an IED explosion in Afghanistan, but it is also the story of two middle school sweethearts reuniting, falling in love and creating a new life.

First Generation

My family immigrated from Central America. They have given us, the first American-born generation, a great life—the life they never had. The abundance of food, clothes and technology our parents earned through hard work is overwhelming when compared to the poor lives they left behind.

Haul

Through photography and sculpture, Haul reimagines the concept of a family album to explore how unspoken histories and traumas are passed between generations.

Women on the Outside

This multi-media installation documents a Bridging the Gap van ride to Smithfield and Huntingdon prisons, offering a glimpse into the lives of this group of women on the outside trying to stay connected to loved ones behind bars.

American Exile: Detained, Deported, and Divided

American Exile is a series of photographs and interviews documenting the stories of immigrants who have been ordered deported from the United States, as well as their family members – often, American citizens – who suffer the consequences of the harsh punishment of exile.

Laws of Silence

“When something is festering in your memory or your imagination, laws of silence don’t work. It’s like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. ” – Tennessee Williams, Cat on a Hot Tin Roof

Neither Here Nor There

Neither Here Nor There is the story of Blanca, a young undocumented woman, who grew up picking grapes in the fields of the San Joaquin Valley, struggling to redefine herself as more than just an immigrant, a struggle brought about by legislation and geography.

War & Memory Presented by The Homecoming Project

War & Memory addresses the sometime devastating aftermath of war on American families, communities, veterans and military personnel. The exhibit focuses on issues including post-traumatic stress disorder, traumatic brain injury and suicide.

In The Car With R

“To do the Ring” is an Icelandic expression that generally refers to travels on Route 1, the highway that encircles the country. To travel this road is something that most Icelanders do at some point in their lives and some even prefer to do it every summer.

Heaven’s Gain

July 5th, 2013 “Hey Bro, well its 7 months today since you was taken away from us . . . I know you don’t want to see us down & heart broken. It is going to get harder b4 it get easy but we trying.”

Lost and Found

This piece is an attempt to dramatize these parallel experiences, each as crystalized by a photograph – the first taken at Ellis Island in 1905, the second in San Diego in 1989. These images were assigned to two acclaimed playwrights, who each imagined the experience of his photograph’s subjects. The Electromagnetic Theater, a contemporary radio drama company, produced the resulting plays for this installation.