Following wars and the occupation of many areas of the country by ISIL, Iraq is littered with explosive devices, including thousands of IEDs. Major population centers and small villages are unsafe for the people returning home.
Mstyslav Chernov and Evgeniy Maloletka photographed the siege of Mariupol from day one. They were the last journalists in the besieged city.
Learn MoreThe New York Times photographers in and around Ukraine have chronicled the devastation and misery wrought by the biggest ground war in Europe since World War II.
Learn MoreAfter the fall of Kabul in August 2021, Afghan women are attempting to build new lives abroad. These are the stories of seven women’s journeys that took them around the globe.
Learn MoreWar Toys uses an art-therapy-based approach to safely collaborate with war-affected children and recreate their personal accounts through narrative photographs of locally sourced toys, placed and posed at the actual locations.
Learn MorePresented by Office of the Special Representative of the Secretary-General for Children and Armed Conflict
Children are the most vulnerable during an armed conflict. The UN Children and Armed Conflict Mandate was created 25 years ago to better protect children from the ravages of war. This mandate is part of the driving force behind the exhibition From Despair to Hope: Children beyond Armed Conflict.
Learn MorePresented by The International Rescue Committee
The Hands That Make a Home is a visual story about what happens when four refugees and a migrant rebuild home with the help of their new community.
Learn MorePresented by The New York Times
New York Times photographers in Ukraine have captured the horrors of war.
Learn MoreAmerica may be ending the 20-year “endless war,” but the way it is leaving Afghanistan will certainly mean the start of another phase of fighting in this war-torn country.
Learn MoreReflecting on 10 years since Hondros’s death, we asked the fund’s founders and awardees to select one of his photographs and share their thoughts about his prolific work—which continues to bring shared human experiences to light.
Learn MoreThe UN Office for the Coordination of Humanitarian Affairs (OCHA) coordinates the global emergency response to save lives and protect people in humanitarian crises.
Learn MoreNever before have journalists been more vilified as enemies of the people, or their work so readily dismissed and brushed away as fake news.
This project was born of a determination to focus attention on a conflict that has raged since 2015, but received little notice, even as it caused the world’s worst humanitarian crisis.
The life and work of a select number of visual journalists who have been killed in the line of duty, as well as those who are currently under threat for delivering the news we too often take for granted.
Lynsey Addario’s Of Love and War is a photography book of the stunning images she has made while reporting from crisis and war zones all across the world.
Lynsey Addario’s Of Love and War is a photography book with stunning images she has made while reporting from crisis and war zones all across the world.
Learn MoreEast Side Stories puts a human face to gang members in Los Angeles while in their homes and with their families.
Women and children suffer war in ways that men don’t. Humanitarian assistance is not just the provision of food and water in war time.
Learn MoreTestament is a collection of photographs and writing by late photojournalist Chris Hondros spanning over a decade of coverage from most of the world’s conflicts since the late 1990s.
Learn MoreMore than 30 young filmmakers and storytelling enthusiasts created their own independent stories that documented their lives, experiences, and hopes during the largest refugee crisis and displacement since WWII.
Learn More“A Way Home” brings to light the ways in which communities across the globe define ‘home’. Through a compassionate and telling lens, these photojournalists examine the effects that migration, conflict, political strife and humanitarian crises inflict on individuals’ concepts of home.
Learn MoreIn recent years Mexico has become one of the most dangerous places in the world for journalists, with levels of violence unmatched by any country in the Western Hemisphere. Attacks and threats against journalists and photojournalists are a daily occurrence and assassinations are routine.
Learn MoreAs a special correspondent for Getty Images, I have spent much of the last decade photographing issues of undocumented immigration to the United States from Central America and Mexico. I’ve taken a broad approach, focusing on asylum seekers fleeing violence, migrants searching for economic opportunity, and the federal government’s response to pursue, detain, and deport them. Throughout, I have tried to humanize this story.
Learn MoreIn 2000, Lynn Johnson began documenting the places where extreme acts of violence took place in the United States for her Master’s degree thesis at the School of Visual Communication at Ohio University.
Learn MoreIn the late ‘80s and early ‘90s, the Chicago neighborhood of Pilsen saw its cultural peak as a mecca for Mexican-American immigrants in the Midwest. The 2.76-square-mile community has seen rapid development, study shows.
Learn MoreThe word Ayacucho comes from Quechua AYA (dead, corpse) and CUCHO (corner), meaning “the corner of the dead”. The last two decades of the 20th century were one of the most tragic moments for the city of Ayacucho and the history of Peru.
Learn MoreThis exhibit highlights the role of photography in creating public narratives of life struggles and social movements in Chiapas, Mexico. It builds on the media awareness generated by the Zapatista indigenous rebellion of 1994. Since then, social and political conflicts have led to displacement and confrontation, often generating multiple narratives of these events.
Learn MoreThis exhibition expands our understanding of the visceral and physical collision between what we know and understand about guns and gun culture, and what many know as a result of being on the end of the projectile.
Learn More“N.O.K.: Next of Kin” documents how Gold Star Families cope with loss and memory through their handling of their loved ones killed in action in wars spanning from World War II to The Vietnam War and the ongoing conflicts in Afghanistan and Iraq.
Learn MoreFollowing wars and the occupation of many areas of the country by ISIL, Iraq is littered with explosive devices, including thousands of IEDs. Major population centers and small villages are unsafe for the people returning home.
Aged between 6-18 years old, the children and youths are photographed dressing up in the outfits of the adults they want to become. The photos highlight the vulnerability and also the great energy of today’s youth and how they can shape the future.
Learn MoreBetween 2011 and 2016, more than 33,300 Africans lost their lives to violent extremism. The growth of violent extremism has set in motion a dramatic reversal of development gains in Africa, and is also threatening to stunt prospects of development for years to come.
Learn MoreThe Marine Corps is about fighting and winning battles. That’s who we are and what we do.
Learn MoreThis is 2017. How can there still be rallies advocating hate? How can this mindset still exist? Where do we draw the line between “free speech” and “hate speech”?
Learn More“Paradise Lost” started in 2012 as a document of Venezuela’s collapse and the rise of violence. Venezuela is now one of the deadliest countries in the world. It is estimated that over 28,000 people were killed in Venezuela last year—that is, in a country roughly the size of Texas.
Learn More“War is Only Half the Story” is a ten-year retrospective of the work of grant winners and finalists of the groundbreaking nonprofit, The Aftermath Project.
Learn MoreTexting Syria is an installation exploring the experience of Syrian refugees in the context of connectivity in the digital age. In these portraits, Syrians in Lebanon fleeing the civil war back home use mobile phones to stay in touch with their families who remain under siege in the city of Homs. A mundane and ubiquitous act — checking or sending a text message — is transformed by war into communiqués that can be a matter of life and death.
Learn MoreThis exhibit reflects on the work of photojournalists who bring to light shared human experiences. Through the lens of family, we’ve asked the photographers to share images that reflect the concept of family from their work in documenting some of the most important news stories of our times.
Learn MoreOver the past few years, I’ve been traveling the country to tell a diverse story about the impact of gun violence on injured survivors, victims’ family members, and witnesses to these horrific acts. I seek to show how gun violence doesn’t fit neatly into the “good guys vs. bad guys” narrative of the media and the NRA. Rather it is far more nuanced — made up overwhelmingly of incidents of suicide, domestic violence, children gaining access to unsecured guns, mass shootings and so much more.
Learn More“I got blown up.” That’s what they say. “I was right there in the blast seat.” Blast force—the signature injury of the conflicts in Iraq and Afghanistan—creates a pressure so powerful it can be seen before it is heard or felt.
Learn MoreChinese documentary photographer Li Qiang spent nearly one month in July 2015, visiting ten places in four Chinese provinces to shoot around 50 veterans.
Learn MoreNatalie Naccache and Omar Imam’s stories are not about the statistics or the politics, but about the individuals caught in between. These stories reveal the struggle of the internal landscape for those who have lost their native ones, the constant uncertainty of exile, the memories that we carry with us, and the hopes that keep us alive.
Learn MorePhotographer Chris Bartlett and journalist Delphine Schrank, author of The Rebel of Rangoon; A Tale of Defiance and Deliverance in Burma (Nation Books, July 2015), combine the ineffable image with the poetry of language to convey the hidden and very human experience of dissidence: of a social movement, until now largely closed from the eyes of the world, whose members dared across five decades of brutally repressive military rule to wrest their country back and deliver it to freedom and democracy.
Learn MoreThirteen years after the first prisoners arrived at the U.S. Naval Base at Guantánamo Bay, Cuba (“Gitmo”), over 100 men remain held indefinitely, almost half cleared for release years ago.
Learn MoreIn 2011, Rita Leistner embedded with U.S. Marines in Afghanistan as a team member of the experimental social media initiative Basetrack, which used social media and smartphones to report on the war.
Learn MoreThese bedrooms once belonged to men and women who died fighting in the wars in Afghanistan and Iraq. These fallen men and women were blown up by IEDs, RPGs, hand grenades and suicide bombers. They were shot down in ambushes and by snipers. They died in helicopters, in humvees, and in tanks. It all took place thousands of miles away from home, and the country they fought to defend.
In Hegemony or Survival, Hector Rene Membreno-Canales blends classical still life and portraits with military objects and veterans.
Learn MoreThe individuals shown in these portraits are Iraqis who were detained by the United States military and its surrogates. All were tortured and abused, and all were released without being charged. The portraits were taken in 2006 in Amman, Jordan and 2007 in Istanbul.
Learn MoreWar & Memory addresses the sometime devastating aftermath of war on American families, communities, veterans and military personnel. The exhibit focuses on issues including post-traumatic stress disorder, traumatic brain injury and suicide.
Learn MoreThe Syrian war has created an unprecedented refugee crisis with millions of Syrians displaced. More than 100,000 of them live on a barren stretch of dirt in northern Jordan at the Zaatari refugee camp, now the second largest refugee camp in the world. Four photographers from the NOOR agency documented daily life in the camp.
Learn MoreMartial Arts is a combination of the “WarHeads” triptych and its sister series of alphabet prints, “Warphabet”. Both bodies of work cover the same subject matter from different directions, trying to better complete the way armed conflicts are presented and understood.
Learn MoreThe bloody siege of Monrovia in 2003 marked the culmination of 10 years of brutal civil war in Liberia, a West African country that was originally established as a colony for freed African-American slaves in the 19th century. Photojournalists who covered the battles in Liberia’s capital in 2003 captured vivid and often brutal images of the violence that engulfed the country.
Learn MoreInterrogations is about a place where justice, mercy, hope, and despair are manufactured, bought, bartered, and sold; a sound-proofed factory where truth is both the final product and the one thing that never leaves the room.
Learn More
The New York Times will present a group exhibition that spans from the 9/11 disaster to the present, with emphasis on the wars in Afghanistan and Iraq. It aims to show the scope of their toll, both at home and abroad.
The exhibition will include work by photographers Lynsey Addario, Stephen Crowley, Tyler Hicks, Chang Lee, and Joao Silva among others.
Learn MoreEngage in a conversation with Syrian photojournalists on the successes and challenges of documenting the last decade of war in Syria.
Learn MoreThere has never been a more important time for acknowledging and investigating the crucial role of conflict photography in shaping our understanding of international affairs and faraway crises.
Learn MoreImmerse yourself in a visual story like no other with Lynn Johnson. In 2000 Lynn began documenting the places where extreme acts of violence took place in the United States for Master’s degree thesis at the School of Visual Communication at Ohio University.
Learn MoreThis panel aims to highlight how common psychological stress and trauma is among journalists and discuss related topics: Why are photographers and photo editors at particular risk? What are the barriers to treating trauma and how do we address them? What resources are available?
Learn MoreThis panel of journalists and practitioners will explore the radically changing landscape of conflict reporting over the past decade, including how the press industry is assessing and responding to these increased threats against press freedom, digital security and the lives of journalists worldwide.
Learn MoreIn conjunction with the exhibit “War & Memory,” the panel will discuss issues faced by returning military and veterans from Iraq and Afghanistan. Our panelists will include photographers, journalists, veterans and mental health professionals.
Learn MoreThe Magnum Foundation’s panel discussion will highlight the experiences of photographers and activists working in communities affected by gun violence. Issues of access, process, and protection for photographers will be addressed. Organized in conjunction with MF’s installation at Photoville: Heaven’s Gain: Recent work by Justin Maxon.
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