Presented by The 400 Years Project and Photoville
Indigenous artists Dakota Mace and Tahila Mintz engage alternative photographic processes and use soil, plants, water, and sun directly in the image-making process to tell stories about the past, present, and future of the land — stories that connect them to their ancestors, and to themselves.
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This work seeks to preserve the legacies and share the testimonies of Korean “comfort women,” a euphemism for women (mostly teenagers at the time) who were forced into sexual slavery by the Japanese Imperial Army during World War II.
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Where the Birds Never Sing reenacts the memories of survivors from the 1979 Marichjhapi massacre in Sundarbans, West Bengal, India, weaving together perspectives on a painful history that faces slow erasure from collective memory.
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