Idled by a newspaper strike in the summer of 1978, eight New York Times staff photographers were enlisted by the New York City parks commissioner to document a summer in the city’s parks.
Of the thousands of photographs and prints by Morgan and Marvin Smith in the Schomburg Center’s collections, this exhibition highlights a brief survey of sports snapshots from the 1930s–1950s. From American Negro League baseball team players sliding into home plate to collegiate star-athlete footballers dodging tackles across the field, these photographs document a pivotal era in American sports history.
Learn More“Los Inocentes (The Innocents)” is a documentary photoessay that focuses on the resiliency of children who live in urban communities in less-than-ideal circumstances, but who prevail and thrive beyond their environments in the South Bronx, Spanish Harlem (El Barrio), and the Lower East Side (Loisaida).
Learn MoreRezMade is an exhibition of current work by student photographers from the all-Tribal Our Community Record Two Eagle River School, Confederated Salish & Kootenai Tribes, in collaboration with A VOICE-Art Vision & Outreach In Community Education
Learn MoreA dialogue between two independent, conceptually entwined projects, by a group of Dutch photographers and by American artist Kennedi Carter.
The Dutch photographers’ work features prominent models of color, in the style of Rembrandt and his contemporaries, to counter the erasure of non-white people throughout Dutch history. Similarly, Carter’s work brings focus to Blackness, belonging, wealth and power, through the visual style of European royalty combined with contemporary Black aesthetics.
Learn MoreThis multimedia installation celebrates the one-hundred-year history of WNYC – beginning as New York City’s Municipal Broadcasting Station in 1924 and continuing as the City’s beloved public radio station today.
Learn MoreEugene Richards draws from his latest book, In This Brief Life (2023), a collection of more than 50 years of mostly unseen photographs.
Learn MoreMoonsongs for Earth offers a musical exploration of a decade-long war in Nepal: the dream for a just, egalitarian society and the subsequent betrayal.
Learn MoreA photographic journey through the golden age of hip-hop.
Learn MoreIt’s not just Stonehenge: New discoveries reveal an era when awe-inspiring monuments were all the rage.
Learn MoreIndigo cultivation helped fuel American slavery. Today, women artists and homesteaders in South Carolina are writing a new chapter in indigo’s painful history.
Learn MoreNew Photography 2023 explores the photographic work of seven artists, all at various stages in their careers, who are united by their critical use of photographic forms and their ties to the artistic scene in the port city of Lagos (Èkó), Nigeria.
Learn MoreSurveillance films of individuals and events made by the NYPD in the 1960s and ’70s are matched with vintage audio excerpts from City-owned WNYC radio programs, creating unique and dynamic new content.
Learn MoreA personal record of the pandemic experience on the island of Manhattan connecting the 1918-19 influenza and COVID-19 outbreaks. Spanning a century, this visual essay documents the crises by questioning issues of individual and collective responsibility but also highlights new and long existing racial and socioeconomic disparities catalyzed by the epidemic.
Learn MoreOn WHO’s 75th anniversary, this exhibition looks back at some of the highlights from our archives, with a focus on images and stories produced from the 1950s to the 1970s by some of our most prolific contributing photographers.
Learn MoreSowing Rice with Salt explores the impact of immigration on intergenerational relationships, through diptychs of archival images of immigrant parents and recreations of their children with written reflections.
Learn MoreDear Mr. Welles investigates the impact of the radio broadcast: ‘The War of the worlds’ by Orson Welles by visualizing letters written to Orson Welles the days after the broadcast was aired.
Learn MoreThe Gay Space Agency confronts the American space program’s historical exclusion of openly queer astronauts, reimagining a history of the space program that celebrates queerness and highlights LGBTQIA+ role models.
Learn MorePhotographic images that encapsulate the stories, the people and the powerful landscape of Barbados, the Southeastern island in the Caribbean sea.
Learn MorePresented by Photoville
This work seeks to preserve the legacies and share the testimonies of Korean “comfort women,” a euphemism for women (mostly teenagers at the time) who were forced into sexual slavery by the Japanese Imperial Army during World War II.
Learn MorePresented by The 400 Years Project and Photoville
Indigenous artists Dakota Mace and Tahila Mintz engage alternative photographic processes and use soil, plants, water, and sun directly in the image-making process to tell stories about the past, present, and future of the land — stories that connect them to their ancestors, and to themselves.
Learn MorePresented by Magnum Foundation
Where the Birds Never Sing reenacts the memories of survivors from the 1979 Marichjhapi massacre in Sundarbans, West Bengal, India, weaving together perspectives on a painful history that faces slow erasure from collective memory.
Learn MorePresented by Henson Scales Productions, Clair Oliver Gallery, SPQR Editions, and Photoville
These images serve as a time capsule of sorts — not only of my adolescence and political awakening, but also of the country whose ongoing struggle with racial inequality, police brutality, and resistance is as urgent and timely as ever.
Learn MoreMonuments examine passive relics of America’s racist past in the Confederacy, the dynamic changing of these landscapes, and who will be honored now.
Learn MoreTAXI: Journey Through My Windows 1977–1987 is a portrait of the gritty chaos and community of New York in the 1970s. The book is composed of photographs captured from the driver’s seat of documentary photographer (and cab driver) Joseph Rodriguez’s taxi—including scenes of night workers getting off their shifts, children jumping through the spray of open fire hydrants in the summer, and S&M partiers leaving clubs, zipped in leather, in the early hours of the morning.
Learn MoreA chronicle of the centennial of the Port Authority, including the creation of container shipping, the raising of a bridge to accommodate newer, larger ships, and the Port Authority’s continuing investment in port facilities that remain as vital for commerce today as they did 100 years ago.
Learn MoreThe Museum of the Old Colony is a conceptual art installation that examines the fraught relationship between the U.S., and its modern-day colony Puerto Rico, through the use of appropriated historical imagery and objects.
For Freedoms is excited to present artworks initially revealed as part of their fall 2018 50 State Initiative.
An eclectic collection of film still photography, selected and submitted by members of the Society of Motion Picture Still Photographers, to show audiences the rarely seen, art and craft of film set photography.
Un/Settled is a project that explores white South Africans’ histories, privileges, and reflections on identity.
The last traditional coffeehouses of Amsterdam, hand printed with the coffee that they serve.
Shot in the mid-to-late 80s, Joseph Rodríguez’s photographs bring us into the core of Spanish Harlem, capturing the spirit of a people that survive despite the ravages of poverty, and more recently, the threat of gentrification and displacement.
Through rarely published photographs from The New York Times’s archive, viewers can travel back in time to experience the streets and buildings of Photoville’s neighborhood, before becoming the DUMBO we see and experience today.
ASMP launches its 75th Anniversary celebration with a retrospective exhibition including iconic images from members throughout ASMP’s history–from past legends to contemporary creators.
Past Tense: California is the first project from the archival storytelling project of The New York Times.
Learn MoreThe Municipal Archives presents an exhibition drawn from a collection of more than 5,000 photographs taken or collected by the New York City Unit of the Federal Writers’ and Art Projects of the Works Progress Administration (WPA).
Learn MoreIn presentations of historical photographs from Africa, Uganda was—until recently—only mentioned in relation to photographs produced by non-Ugandans or members of the Ugandan diaspora. The first three books in the Ebifananyi series change this status quo by presenting photographs produced by Deo Kyakulagira (1940-2000), Musa Katuramu (1916-1983) and Elly Rwakoma (ca.1938).
Learn MoreOver the course of 2018, and into 2019, Topic Studios has commissioned 50 artists from across the United States to explore and showcase the diversity of contemporary life in America. Federal Project No. 2 will consist of artistic pairings, where we ask world-class photographers, visual artists, musicians, etcetera, to pick a work from the vast WPA archives that speaks to them, and then make new work in response to it.
Learn MoreIdled by a newspaper strike in the summer of 1978, eight New York Times staff photographers were enlisted by the New York City parks commissioner to document a summer in the city’s parks.
Ramrakha’s iconic images defied stereotype, censorship and editorial demand, capturing key moments from segregated colonial oppression in his home in Kenya, and tying those to moments of black struggle and surprising solidarities in the US in the 1960s.
Learn MoreNew York City is constantly changing. Cycles of growth, decay, and renewal have altered the bricks and mortar of its physical environment and the humans who live here. “Living in the City” vividly illustrates how the housing landscape in New York City changed during the four decades from 1961 to 2001.
Learn More“Lost Rolls America” is a new and unique kind of Americana archive. In the age of image saturation, this archive slows the pace of our instantaneous digital world and commemorates the role that analog photos have played in all of our lives.
Learn More“The Patriot Story” is a portrait series that tells the rarely told stories of the living Ethiopian Patriots, who proudly fought against the Italian army during the five-year occupation (1935-1941) in Ethiopia under the Italian dictator, Benito Mussolini.
Learn MoreThese images capture a rich cross-section of the city’s population, depicting dress and social status in addition to possible criminal behavior. Focusing solely on women captured by police camera, this exhibit examines how these unique portraits offer a fascinating window into the lives of women in early 20th-century New York.
Learn MoreGenerations of Canada’s First Nations forgot who they were. Languages died out, sacred ceremonies were criminalized and suppressed. These double exposure portraits explore the trauma of some of the 80,000 living survivors who remain. Through extensive accompanying interviews, they address the impact of intergenerational trauma and lateral violence, documenting the slow path toward healing.
Learn MoreThese portraits illustrate Europe’s long and complex history of immigration. Algerians came to France while their homeland was a French colony, surging in the 1954-1962 war of independence. Since the 1990s, some 40,000 Somalis fleeing civil war have settled in Sweden. Indians are among the three million South Asians who’ve come to Britain from former British colonies. About as many Turks live in Germany. They came as guest workers in the 1960s and ’70s—but stayed and had families.
Learn MoreThe NYC Municipal Archives invites you to explore a hundred-year history of the Brooklyn waterfront through photographs dating from 1870 to 1974.
Learn MoreChinese documentary photographer Li Qiang spent nearly one month in July 2015, visiting ten places in four Chinese provinces to shoot around 50 veterans.
Learn MoreRed Ball of a Sun Slipping Down speaks of life in the Arkansas Delta forty years go and today. Black-and-white photographs made long years ago are interwoven with recent color photographs and, in turn, with a short story.
Learn MoreThroughout history, photography has been upheld as a source of truth.
Reframe: An Exploration of Memory and Nostalgia examines those histories which are unclear, questioning our belief in what was and re-interpreting what can be learned from the past. The show includes work from 10 international photographers and artists who are taking work created long ago and making it their own.
Learn MoreInspired by the scenic vistas of Brooklyn Bridge Park, Photos.com by Getty Images has curated a stunning collection of urban photography – both archival and contemporary – to celebrate our debut exhibition at Photoville.
The photographs in Work In Progress On In Progress Work have been made in downtown Brooklyn between 2011-2014, a time when changes in the architecture of the area alone became a monumental manifestation of the rapid socioeconomic shifts in the area.
Learn MoreJulienne Schaer’s photos of the build of the Brooklyn Bridge Park comprise a visual documentary that illustrates the transformation of Brooklyn’s industrial waterfront into a world-class park.
Learn MoreIn “Raskols: The Gangs of Papua New Guinea,” Australian photographer Stephen Dupont presents a series of portraits that explores the world of cults, custom and tribal culture in Papua New Guinea.
Learn MoreJoin us for an evening of music, community, and beautiful visual storytelling as we celebrate how photography captures and reflects our histories.
Learn MoreFeaturing photographer Jeffrey Henson Scales discussing his exhibition In A Time of Panthers: Early Photographs
Learn MoreIn the deluge of information transparency, how do we – image-makers, storytellers, content creators – become agents of a future historicity that can rage against the obsc(r)ene?
Learn MoreFive leading photography professionals discuss photographic heritage with PhotoWings Founder Suzie Katz.
Learn MoreJoin National Geographic photographers Philip Cheung, Kris Graves, and Daniella Zalcman in conversation with National Geographic Executive Editor Debra Adams Simmons, as they discuss their ongoing projects visualizing racist and discriminatory histories through a new lens.
Learn MoreJoin us for a conversation looking back at the origins of photography–how it has been used as a tool of colonialism, and how this legacy still appears today, both culturally and institutionally.
Learn MoreEducator Kamal Badhey and her adult and teen students, William Page, A’ssia Rai, and Valerie Zink reflect on their journey of investigating their family archives.
Learn MorePast Tense: California is the first project from the archival storytelling project of The New York Times.
Learn MoreSuzie Katz, president and founder of PhotoWings, and Mary Engel, president and founder of American Photography Archives Group, will discuss the importance of archiving, the best techniques and platforms, and how to start thinking about the legacy you’ll leave behind.
Learn More